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BIOGRAPHY
Apichatpong was born in Bangkok, Thailand and he is of Chinese ethnic roots. His parents were both physicians, and worked in a hospital in Khon Kaen, Thailand. Apichatpong attended Khon Kaen University and received a bachelor's degree in architecture in 1994. He made his first short film, Bullet, in 1993. He attended the School of the Art Institute of Chicago and received a master's degree in fine arts in filmmaking in 1997 Apichatpong's feature-length debut, Dokfa nai meuman (Mysterious Object at Noon) is a documentary and was conceptually based upon the "exquisite corpse" game invented by surrealists. He co-founded the production company, Kick the Machine, in 1999, and uses the company as a vehicle for his own works, alongside Thai experimental films and video. The list of other founders includes Gridthiya Gaweewong and Suaraya Weerasethakul and the company co-organised the Bangkok Experimental Film Festival in 1999, 2001, 2005 and 2008 Apichatpong's 2002 film Sud Sanaeha (Blissfully Yours) was his debut narrative feature film and was awarded the Un Certain Regard prize at the 2002 Cannes Film Festival. His 2004 Sud Pralad (Tropical Malady) won a Jury Prize from the same festival. Between Blissfully Yours and Tropical Malady, Apichatpong co-directed The Adventure of Iron Pussy with artist Michael Shaowanasai, who starred as the main character, a transvestite secret agent, while pop singer Krissada Terrence, better known as Noi from the Thai band Pru, portrayed the male lead. The low-budget, digital movie was a spoof of Thai films of the 1960s and 1970s, particularly the musicals and action films of Mitr Chaibancha and Petchara Chaowarat. The Adventure of Iron Pussy was screened at the Berlin Film Festival in 2004. When asked about the film in May 2013, Apichatpong said: "I have had enough of Iron Pussy for now. I was having a good time making it but I was not inspired." Along with his features, Apichatpong is also known for his short films, videoworks and installations. For the 2005 Jeonju International Film Festival, he was commissioned to contribute to the Three Digital Short Films project, alongside two other Asian directors. His film was called Worldly Desires, while Japanese filmmaker Shinya Tsukamoto made Vital,Bullet Ballet and Song Il-gon from South Korea created Magician(s). In 2005 Apichatpong served as the consultant on the Tsunami Digital Short Films, a series of 13 films commissioned by the Thailand Culture Ministry's Office of Contemporary Art and Culture as a memorial tribute to the 2004 Indian Ocean Earthquake and the resulting tsunami that struck Thailand. His contribution was the film Ghost of Asia. The Thai Office of Contemporary Art and Culture also honoured Apichatpong with its 2005 Silpathorn Award for filmmaking. The annual award is given to living contemporary artists in various disciplines In 2006, Apichatpong released a feature film, Syndromes and a Century, that was commissioned by Peter Sellars for the New Crowned Hope Festival in Vienna to celebrate the 250th anniversary of Mozart's birth. It premiered at the 63rd Venice Film Festival and screened at numerous film events, such as the 2006 Toronto International Film Festival. The film's Thai release, originally slated for April 19, 2007, was indefinitely delayed after the Thai Censorship Board demanded the removal of four scenes. Apichatpong refused to recut the film and said he would withdraw the film from domestic circulation. He explained his reasons for doing so in an article in the Bangkok Post: “I, as a filmmaker, treat my works as I do my own sons or daughters. I don't care if people are fond of them or despise them, as long as I created them with my best intentions and efforts. If these offspring of mine cannot live in their own country for whatever reason, let them be free. There is no reason to mutilate them in fear of the system. Otherwise there is no reason for one to continue making art.”Two of the "sensitive" scenes involve doctors engaging in "inappropriate" conduct (kissing and drinking liquor) in a hospital; the others depict a Buddhist monk playing a guitar and two monks playing with a remote-control flying saucer.The censors refused to return the print unless the requested cuts were made. In 2007 the film was shown twice in privately arranged screenings at the Alliance française in Bangkok. The censorship of the film came about as a motion picture ratings system was being considered by the junta-appointed National Legislative Assembly. A replacement for the 1930 film act, the ratings law contained a restrictive ratings structure and retained the government's powers to censor and ban films it deemed would "undermine or disrupt social order and moral decency, or that might impact national security or the pride of the nation". The ratings board would comprise mainly bureaucrats in the Ministry of Culture, as well as members of the Royal Thai Police. To oppose the draft law, Apichatpong and other directors formed the Free Thai Cinema Movement. Apichatpong was quoted as saying: "We disagree with the right of the state to ban films ... There already are other laws that cover potential wrongdoings by filmmakers."Ladda Tangsupachai, director of the Ministry of Culture's Cultural Surveillance Department, said the ratings law was needed because moviegoers in Thailand are "uneducated". She further explained, "They're not intellectuals, that's why we need ratings ... Nobody goes to see films by Apichatpong. Thai people want to see comedy. We like a laugh." |
The filmmakers sought a self-regulation approach, with the founding of an independent body run by film professionals. Apichatpong had written in a commentary earlier in the year:
Free from state influence, this agency would be responsible for monitoring and assigning rating, and it would bear direct responsibilities towards the audience, who in turn would monitor the performance of the agency. This way, the film industry will be liberated from the state's shackles and begin to have a dialogue with the public. A protest against the draft ratings law was held outside the Parliament building in Bangkok, at which Apichatpong and fellow Thai directors Wisit Sasanatieng and Pen-Ek Ratanaruang held banners that read: "No Freedom. No Democracy. No Peace". The ratings law, with the "cut-and-ban" categories left intact, was passed on December 20, 2007. Apichatpong presented the "Apichatpong On Video Works" session as part of the "Tomyam Pladib" art exhibition that featured both Thai and Japanese artists who produced works regarding the coexistence of traditional and modern cultures. The filmmaker's presentation consisted of three short films: Ghost Of Asia, 0116643225059 and The Anthem. Apichatpong also answered questions from the audience to conclude the presentation. The first English-language book on Apichatpong was published in March 2009. James Quandt is the editor and author of the analytical career overview that introduces the book. Other contributors include the cultural and political theorist Benedict Anderson, filmmaker Mark Cousins, art curator Karen Newman, critics Tony Rayns and Kong Rithdee, and the Academy Award-winning actress and cinephile Tilda Swinton. "Primitive", Apichatpong's first solo exhibition—composed of a two-channel video installation, seven single-channel videos, and two giclée prints was first shown at Haus der Kunst in February 2009. In September 2009, the exhibition was shown in Liverpool, United Kingdom (UK) at FACT (Foundation for Art and Creative Technology). The work was commissioned by Haus der Kunst, of Munich, Germany, with FACT and Animate Projects, and was produced by Illuminations Films, London and Kick the Machine. Curator Karen Newman wrote in the introduction for the exhibition: "His works are also ve- hicles that take us between different worlds, asking questions about the future and revealing a much bigger story than at first appears." Primitive was shot in the border town, Nabua, where the Mekong River divides Thailand and Laos. In 2011 the New Museum presented the American debut of Primitive. In 2010 Apichatpong's feature film, Uncle Boonmee Who Can Recall His Past Lives, won the Palme d'Or at the Cannes Film Festival. The film was also selected as the Thai entry for the Best Foreign Language Film at the 83rd Academy Awards but it did not make the final shortlist. In 2012, Apichatpong's film Mekong Hotel was screened in the Special Screenings section at the 2012 Cannes Film Festival. In March 2013, Apichatpong and fellow Kick The Machine artist Chai Siri received the "Sharjah Biennial Prize" at the 2013 Sharjah Biennial 11 in the United Arab Emirates (UAE), alongside five other artists, including Magdi Mostafa and Fumito Urabe. Apichatpong was also awarded Japan's "Fukuoka Art and Culture Prize" in June, alongside Indian visual artist Nalini Malani, worth 3,000,000 yen (27,346.83€). In a May 2013 interview for the Encounter Thailand journal, Apichatpong stated that all of his films are personal in nature and he does not consider himself a cultural ambassador for Thailand. In relation to the concept of "queer", he explained: "For me, the word queer means anything’s possible In March 2014, it was announced that Apichatpong will feature among 32 directors from four continents, including Vincent Gallo and Gaspar Noé, to direct Short Plays, a soccer-themed omnibus production shot around the world. Apichatpong's short is set in his home town, features 22 shots of its lake, almost the only recognizable feature from his childhood, which are arranged like players in a soccer game. source: wikipedia Website: www.kickthemachine.com Twitter: https://twitter.com/kickthemachine |
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FILMOGRAPHY
FEATURE AND DOCUMENTARY FILMS 2015 Cemetery of Splendor 2014 Short Plays (segment "Thailand") 2013 Venice 70: Future Reloaded (Documentary) 2012 Mekong Hotel Sakda (Short documentary) Cactus River (Short documentary) 2011 Quattro Hongkong 2 (segment "M Hotel") 2010 Uncle Boonmee Who Can Recall His Past Lives 2008 Stories on Human Rights (segment "Mobile Men") Emerald (Documentary short) 2007 The State of the World (segment "Luminous People") 2006 Syndromes and a Century 2004 Tropical Malady 2003 The Adventures of Iron Pussy 2002 Blissfully Yours 2000 Mysterious Object at Noon 1999 Malee and the Boy (Short documentary) 1996 Like the Relentless Fury of the Pounding Waves (Short documentary) |
SHORT FILMS
2012 Ashes 2011 M Hotel 2010 Empire 2009 Phantoms of Nabua A Letter to Uncle Boonmee Haiku 2008 Sud Vikal 2006 The Anthem 2005 Ghost of Asia Worldly Desires 2001 Masumi Is a PC Operator 2000 Boys at Noon 1998 Thirdworld 1994 Kitchen and Bedroom 0016643225059 1993 Bullet |
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